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Extracting seeds from your pot while listening to Tiamat's Wildhoney [An appreciation]

[views:8705][posts:30]
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[Jun 2,2010 8:10pm - MikeOv  ""]
If only it was Honey tea mixed with psilocybe larvae

on my Honeymoon, with a silver spoon and Psilocybe tea

:swedenflag:
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[Jun 2,2010 8:24pm - MikeOv  ""]
INB4 CRICKETS
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[Jun 2,2010 8:37pm - CRICKETS!  ""]

bennyhillifier
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[Jun 2,2010 8:45pm - arilliusbm ""]
lol
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[Jun 2,2010 8:57pm - fuck logging in  ""]
1.) get some better weed.
2) listen to some better music.
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[Jun 2,2010 10:57pm - AndrewBastard  ""]
a. the best pot on the planet could have seeds in it; seeds simply means the grower failed to remove any or all of the male plants and the females got germinated. Doesn't mean the pot sucks...most common pot misconception ever. The reason why most/all SHIT weed has seeds is because its shit weed so why bother removing all the male plants in a huge mexican field? its a huge process and not worth it when growing shitty weed.

b. wildhoney kicks ass.
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[Jun 2,2010 10:58pm - AndrewBastard  ""]
and i dont ever smoke weed anymore....but i used to grow it in college...fairly large quantities for an apartment grow room set up (QP per harvest/every 3 months).
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[Jun 2,2010 11:57pm - ShadowSD ""]
I saw and met Tiamat completely by accident hanging out at Pub Anchor in Stockholm nine years ago, total fluke.
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[Jun 3,2010 12:36am - fuck logging in  ""]

AndrewBastard said:a.The reason why most/all SHIT weed has seeds is because its shit weed so why bother removing all the male plants in a huge mexican field? its a huge process and not worth it when growing shitty weed.

b. wildhoney kicks ass.



So the odds are good that that OP is smoking shit weed?
And I still find tiamat boring.
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[Jun 3,2010 12:46am - BSV  ""]
I don't own any Tiamat but I just scored the Treblinka demos on LP.
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[Jun 3,2010 12:58am - MikeOv  ""]

fuck%20logging%20in said:
AndrewBastard said:a.The reason why most/all SHIT weed has seeds is because its shit weed so why bother removing all the male plants in a huge mexican field? its a huge process and not worth it when growing shitty weed.

b. wildhoney kicks ass.



So the odds are good that that OP is smoking shit weed?
And I still find tiamat boring.



And I still find your opinion invalid.

Just sayin'
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[Jun 3,2010 1:41am - ernie ""]
alot of thc is wasted on forming seeds and its a pain in the dick to rip them all out everytime, buncho seeds=shitty weed no matter what. although im no snob, ill smoke a bowl of straight seeds and actually look forward to cleaning time and bowls and bowls of straight resin
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[Jun 3,2010 2:51am - AUTOPSY_666 ""]
[img]
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[Jun 3,2010 8:55am - AndrewBastard  ""]
only the white cover in digipack is real
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[Jun 3,2010 8:57am - MikeofdecrepitudE ""]
[img]
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[Jun 3,2010 8:59am - MikeofdecrepitudE ""]
I would have attended this years MDF if they played Wildhoney in its entirety, which they'll be performing at Wacken.
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[Jun 3,2010 9:28am - c.DeaD  ""]
That picture is beyond awesome. Wildhoney is indeed their finest record.
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[Jun 3,2010 9:31am - MikeofdecrepitudE ""]

c.DeaD said:That picture is beyond awesome. Wildhoney is indeed their finest record.


Posted that with you, Kristen and Ross in mind.
Cat lords.
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[Jun 3,2010 9:33am - arilliusbm ""]
Only dogs are real.
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[Jun 3,2010 9:34am - MikeofdecrepitudE ""]
Dogs vs. Cats = Invalid dispute.
Both rule, as they are not human beings.

Pet your cat or walk your dog while listening to Tiamat [A new appreciation]
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[Jun 3,2010 9:41am - arilliusbm ""]
haha, I know.. I like both. Anything that's not human while listening to Tiamat appreciation?
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[Jun 3,2010 9:44am - MikeofdecrepitudE ""]
Only the five pointed grey star carven, the sign of the Aryan race is real.
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[Jun 3,2010 10:21am - AndrewBastard  ""]
http://www.psy-q.ch/lovecraft/html/catsdogs.htm

Cats And Dogs

by H. P. Lovecraft

Written November 23, 1926

Published in Something About Cats and Other Pieces, Arkham House, 1949

Being told of the cat-and-dog fight about to occur in your literary club, I cannot resist contributing a few Thomastic yowls and sibilants upon my side of the dispute, though conscious that the word of a venerable ex-member can scarcely have much weight against the brilliancy of such still active adherents as may bark upon the other side. Aware of my ineptitude at argument, a valued correspondent has supplied me with the records of a similar controversy in the New York Tribune, in which Mr. Carl van Doran is on my side and Mr. Albert Payson Terhune on that of the canine tribe. From this I would be glad to plagiarise such data as I need; but my friend, with genuinely Machiavellian subtlety, has furnished me with only a part of the feline section whilst submitting the doggish brief in full. No doubt he imagines that this arrangement, in view of my own emphatic bias, makes for something like ultimate fairness; but for me it is exceedingly inconvenient, since it will force me to be more or less original in several parts of the ensuing remarks.

Between dogs and cats my degree of choice is so great that it would never occur to me to compare the two. I have no active dislike for dogs, any more than I have for monkeys, human beings, tradesmen, cows, sheep, or pterodactyls; but for the cat I have entertained a particular respect and affection ever since the earliest days of my infancy. In its flawless grace and superior self-sufficiency I have seen a symbol of the perfect beauty and bland impersonality of the universe itself, objectively considered, and in its air of silent mystery there resides for me all the wonder and fascination of the unknown. The dog appeals to cheap and facile emotions; the cat to the deepest founts of imagination and cosmic perception in the human mind. It is no accident that the contemplative Egyptians, together with such later poetic spirits as Poe, Gautier, Baudelaire and Swinburne, were all sincere worshippers of the supple grimalkin.

Naturally, one's preference in the matter of cats and dogs depends wholly upon one's temperament and point of view. The dog would appear to me to be the favorite of superficial, sentimental, and emotional people -- people who feel rather than think, who attach importance to mankind and the popular conventional emotions of the simple, and who find their greatest consolation in the fawning and dependent attachments of a gregarious society. Such people live in a limited world of imagination; accepting uncritically the values of common folklore, and always preferring to have their naive beliefs, feelings, and prejudices tickled, rather than to enjoy a purely aesthetic and philosophic pleasure arising from discrimination, contemplation, and the recognition of austere, absolute beauty. This is not to say that the cheaper elements do not also reside in the average cat-lover's love of cats, but merely to point out that in ailurophily there exists a basis of true aestheticism which kynophily does not possess. The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such. He is unwilling to set up himself and his cruder feelings as a measure of universal values, or to allow shallow ethical notions to warp his judgment. In a word, he had rather admire and respect than effuse and dote; and does not fall into the fallacy that pointless sociability and friendliness, or slavering devotion and obedience, constitute anything intrinsically admirable or exalted. Dog-lovers base their whole case on these commonplace, servile, and plebeian qualities, and amusingly judge the intelligence of a pet by its degree of conformity to their own wishes. Cat-lovers escape this delusion, repudiate the idea that cringing subservience and sidling companionship to man are supreme merits, and stand free to worship aristocratic independence, self-respect, and individual personality joined to extreme grace and beauty as typified by the cool, lithe, cynical and unconquered lord of the housetops.

Persons of commonplace ideas -- unimaginative worthy burghers who are satisfied with the daily round of things and who subscribe to the popular credo of sentimental values -- will always be dog-lovers. To them nothing will ever be more important than themselves and their own primitive feelings, and they will never cease to esteem and glorify the fellow-animal who best typifies these. Such persons are submerged in the vortex of Oriental idealism and abasement which ruined classic civilisation in the Dark Ages, and live in a bleak world of abstract sentimental values wherein the mawkish illusions of meekness, gentleness, brotherhood, and whining humility are magnified into supreme virtues, and a whole false ethic and philosophy erected on the timid reactions of the flexor system of muscles. This heritage, ironically foisted on us when Roman politics raised the faith of a whipped and broken people to supremacy in the later empire, has naturally kept a strong hold over the weak and sentimentally thoughtless; and perhaps reached its culmination in the insipid nineteenth century, when people were wont to praise dogs "because they are so human" (as if humanity were any valid standard of merit!), and honest Edwin Landseer painted hundreds of smug Fidoes and Carlos and Rovers with all the anthropoid triviality, pettiness, and "cuteness" of eminent Victorians.

But amidst this chaos of intellectual and emotional groveling a few free souls have always stood out for the old civilised realities which mediaevalism eclipsed -- the stern classic loyalty to truth, strength, and beauty given a clear mind and uncowed spirit to the full-living Western Aryan confronted by Nature's majesty, loveliness, and aloofness. This is the virile aesthetic and ethic of the extensor muscles -- the bold, buoyant, assertive beliefs and preferences of proud, dominant, unbroken and unterrified conquerors, hunters, and warriors -- and it has small use for the shams and whimperings of the brotherly, affection-slobbering peacemaker and cringer and sentimentalist. Beauty and sufficiency -- twin qualities of the cosmos itself -- are the gods of this unshackled and pagan type; to the worshipper of such eternal things the supreme virtue will not be found in lowliness, attachment, obedience, and emotional messiness. This sort of worshipper will look for that which best embodies the loveliness of the stars and the worlds and the forests and the seas and the sunsets, and which best acts out the blandness, lordliness, accuracy, self-sufficiency, cruelty, independence, and contemptuous and capricious impersonality of the all governing Nature. Beauty -- coolness -- aloofness -- philosophic repose -- self-sufficiency -- untamed mastery -- where else can we find these things incarnated with even half the perfection and completeness that mark their incarnation in the peerless and softly gliding cat, which performs its mysterious orbit with the relentless and obtrusive certainty of a planet in infinity?

That dogs are dear to the unimaginative peasant-burgher whilst cats appeal to the sensitive poet-aristocrat-philosopher will be clear in a moment when we reflect on the matter of biological association. Practical plebeian folk judge a thing only by its immediate touch, taste, and smell; while more delicate types form their estimates from the linked images and ideas which the object calls up in their minds. Now when dogs and cats are considered, the stolid churl sees only the two animals before him, and bases his favour on their relative capacity to pander to his sloppy, uniformed ideas of ethics and friendship and flattering subservience. On the other hand the gentleman and thinker sees each in all its natural affiliations, and cannot fail to notice that in the great symmetries of organic life dogs fall in with slovenly wolves and foxes and jackals and coyotes and dingoes and painted hyaenas, whilst cats walk proudly with the jungle's lords, and own the haughty lion, the sinuous leopard, the regal tiger, and the shapely panther and jaguar as their kin. Dogs are the hieroglyphs of blind emotion, inferiority, servile attachment, and gregariousness -- the attributes of commonplace, stupidly passionate, and intellectually and imaginatively underdeveloped men. Cats are the runes of beauty, invincibility, wonder, pride, freedom, coldness, self-sufficiency, and dainty individuality -- the qualities of sensitive, enlightened, mentally developed, pagan, cynical, poetic, philosophic, dispassionate, reserved, independent, Nietzschean, unbroken, civilised, master-class men. The dog is a peasant and the cat is a gentleman.

We may, indeed, judge the tone and bias of a civilisation by its relative attitude toward dogs and cats. The proud Egypt wherein Pharaoh was Pharaoh and pyramids rose in beauty at the wish of him who dreamed them bowed down to the cat, and temples were built to its goddess at Bubastis. In imperial Rome the graceful leopard adorned most homes of quality, lounging in insolent beauty in the atrium with golden collar and chain; while after the age of the Antonines the actual cat was imported from Egypt and cherished as a rare and costly luxury. So much for the dominant and enlightened peoples. When, however, we come to the groveling Middle Ages with their superstitions and ecstasies and monasticisms and maunderings over saints and their relics, we find the cool and impersonal loveliness of the felidae in very low esteem; and behold a sorry spectacle of hatred and cruelty shown toward the beautiful little creature whose mousing virtues alone gained it sufferance amongst the ignorant churls who resented its self-respecting coolness and feared its cryptical and elusive independence as something akin to the dark powers of witchcraft. These boorish slaves of eastern darkness could not tolerate what did not serve their own cheap emotions and flimsy purposes. They wished a dog to fawn and hunt and fetch and carry, and had no use for the cat's gift of eternal disinterested beauty to feed the spirit. One can imagine how they must have resented Pussy's magnificent reposefulness, unhurriedness, relaxation, and scorn for trivial human aims and concernments. Throw a stick, and the servile dog wheezes and pants and stumbles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement. And just as inferior people prefer the inferior animal which scampers excitedly because someone else wants something, so do superior people respect the superior animal which lives its own life and knows that the puerile stick-throwings of alien bipeds are none of its business and beneath its notice. The dog barks and begs and tumbles to amuse you when you crack the whip. That pleases a meekness-loving peasant who relishes a stimulus to his self importance. The cat, on the other hand, charms you into playing for its benefit when it wishes to be amused; making you rush about the room with a paper on a string when it feels like exercise, but refusing all your attempts to make it play when it is not in the humour. That is personality and individuality and self-respect -- the calm mastery of a being whose life is its own and not yours -- and the superior person recognises and appreciates this because he too is a free soul whose position is assured, and whose only law is his own heritage and aesthetic sense. Altogether, we may see that the dog appeals to those primitive emotional souls whose chief demands on the universe are for meaningless affection, aimless companionship, and flattering attention and subservience; whilst the cat reigns among those more contemplative and imaginative spirits who ask of the universe only the objective sight of poignant, ethereal beauty and the animate symbolisation of Nature's bland, relentless, reposeful, unhurried and impersonal order and sufficiency. The dog gives, but the cat is.

Simple folk always overstress the ethical element in life, and it is quite natural that they should extend it to the realm of their pets. Accordingly, we hear many inane dicta in favour of dogs on the ground that they are faithful, whilst cats are treacherous. Now just what does this really mean? Where are the points of reference? Certainly, the dog has so little imagination and individuality that it knows no motives but its master's; but what sophisticated mind can descry a positive virtue in this stupid abnegation of its birthright? Discrimination must surely award the palm to the superior cat, which has too much natural dignity to accept any scheme of things but its own, and which consequently cares not one whit what any clumsy human thinks or wishes or expects of it. It is not treacherous, because it has never acknowledged any allegiance to anything outside its own leisurely wishes; and treachery basically implies a departure from some covenant explicitly recognised. The cat is a realist, and no hypocrite. He takes what pleases him when he wants it, and gives no promises. He never leads you to expect more from him than he gives, and if you choose to be stupidly Victorian enough to mistake his purrs and rubbings of self-satisfaction for marks of transient affection toward you, that is no fault of his. He would not for a moment have you believe that he wants more of you than food and warmth and shelter and amusement -- and he is certainly justified in criticising your aesthetic and imaginative development if you fail to find his grace, beauty, and cheerful decorative influence an aboundingly sufficient repayment for all you give him. The cat-lover need not be amazed at another's love for dogs -- indeed, he may also possess this quality himself; for dogs are often very comely, and as lovable in a condescending way as a faithful old servant or tenant in the eyes of a master -- but he cannot help feeling astonished at those who do not share his love for cats. The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it. We call ourselves a dog's "master" -- but who ever dared call himself the "master" of a cat? We own a dog -- he is with us as a slave and inferior because we wish him to be. But we entertain a cat -- he adorns our hearth as a guest, fellow-lodger, and equal because he wishes to be there. It is no compliment to be the stupidly idolised master of a dog whose instinct it is to idolise, but it is a very distinct tribute to be chosen as the friend and confidant of a philosophic cat who is wholly his own master and could easily choose another companion if he found such a one more agreeable and interesting. A trace, I think, of this great truth regarding the higher dignity of the cat has crept into folklore in the use of the names "cat" and "dog" as terms of opprobrium. Whilst "cat" has never been applied to any sort of offender more than the mildly spiteful and innocuously sly female gossip and commentator, the words "dog" and "cur" have always been linked with vileness, dishonor, and degradation of the gravest type. In the crystallisation of this nomenclature there has undoubtedly been present in the popular mind some dim, half-unconscious realisation that there are depths of slinking, whining, fawning, and servile ignobility which no kith of the lion and the leopard could ever attain. The cat may fall low, but he is always unbroken. He is, like the Nordic among men, one of those who govern their own lives or die.

We have but to glance analytically at the two animals to see the points pile up in favour of the cat. Beauty, which is probably the only thing of any basic significance in all the cosmos, ought to be our chief criterion; and here the cat excels so brilliantly that all comparisons collapse. Some dogs, it is true, have beauty in a very ample degree; but even the highest level of canine beauty falls far below the feline average. The cat is classic whilst the dog is Gothic -- nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae. Puss is a Doric temple -- an Ionic colonnade -- in the utter classicism of its structural and decorative harmonies. And this is just as true kinetically as statically, for art has no parallel for the bewitching grace of the cat's slightest motion. The sheer, perfect aestheticism of kitty's lazy stretchings, industrious face-washings, playful rollings, and little involuntary shiftings in sleep is something as keen and vital as the best pastoral poetry or genre painting; whilst the unerring accuracy of his leaping and springing, running and hunting, has an art-value just as high in a more spirited way but it is his capacity for leisure and repose which makes the cat preeminent. Mr. Carl Van Vechten, in "Peter Whiffle," holds up the timeless restfulness of the cat as a model for life's philosophy, and Prof. William Lyon Phelps has very effectively captured the secret of felinity when he says that the cat does not merely lie down, but "pours his body out on the floor like a glass of water". What other creature has thus merged the aestheticism of mechanics and hydraulics? Contrast this with the inept panting, wheezing, fumbling, drooling, scratching, and general clumsiness of the average dog with his false and wasted motions. And in the details of neatness the fastidious cat is of course immeasurably ahead. We always love to touch a cat, but only the insensitive can uniformly welcome the frantic and humid nuzzlings and pawings of a dusty and perhaps not inodorous canine which leaps and fusses and writhes about in awkward feverishness for no particular reason save that blind nerve-centres have been spurred by certain meaningless stimuli. There is a wearying excess of bad manners in all this doggish fury -- well-bred people don't paw and maul one, and surely enough we invariably find the cat gentle and reserved in his advances, and delicate even when he glides gracefully into your lap with cultivated purrs, or leaps whimsical on the table where you are writing to play with your pen in modulated, seriocomic pats. I do not wonder that Mahomet, that sheik of perfect manners, loved cats for their urbanity and disliked dogs for their boorishness; or that cats are the favorites in the polite Latin countries whilst dogs take the lead in heavy, practical, and beer-drinking Central Europe. Watch a cat eat, and then watch a dog. The one is held in check by an inherent and inescapable daintiness, and lends a kind of grace to one of the most ungraceful of all processes. The dog, on the other hand, is wholly repulsive in his bestial and insatiate greediness; living up to his forest kinship of "wolfing" most openly and unashamedly. Returning to beauty of line -- is it not significant that while many normal breeds of dogs are conspicuously and admittedly ugly, no healthy and well-developed feline of any species whatsoever is other than beautiful? There are, of course, many ugly cats; but these are always individual cases of mongrelism, malnutrition, deformity, or injury. No breed of cats in its proper condition can by any stretch of the imagination be thought of as even slightly ungraceful -- a record against which must be pitted the depressing spectacle of impossibly flattened bulldogs, grotesquely elongated dachshunds, hideously shapeless and shaggy Airedales, and the like. Of course, it may be said that no aesthetic standard is other than relative -- but we always work with such standards as we empirically have,

post was too long read more at your own risk

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[Jun 3,2010 10:22am - AndrewBastard  ""]
whoops...go here:

http://www.psy-q.ch/lovecraft/html/catsdogs.htm
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[Jun 3,2010 10:31am - arilliusbm ""]
I've read that many times and simply disagree with his notion of people that like dogs "feel" more than think. Both animals are extremely intelligent. Tge distinct characteristics and manners between different dog breeds automatically negate that statement. In fact, some dogs act very much like cats..
It is perhaps the most biased piece Lovecraft ever wrote.
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[Sep 11,2012 11:43am - trioxin245 ""]
bump for burning sage like a faggot and listening to this whole album two times in a row.
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[Sep 11,2012 12:03pm - Granville_Waiters ""]
[img]
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[Sep 11,2012 4:31pm - DanOfBereavement  ""]
Great fucking record!
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[Sep 11,2012 7:54pm - trioxin245 ""]
'gaia' is a long lost Pink Floyd song
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[Sep 12,2012 9:48am - dreadkill ""]
great album indeed
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[Feb 5,2013 11:52am - ÆRK  ""]

bennyhillifier


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