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[QUOTE]blah blah blah[/QUOTE] to reply to neverpurified nli.
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[QUOTE="neverpurified%20nli:1048231"]If anyone is interested From Neil Kernon's Forum: - Vocals: Shure SM7 into 9098 into distressor then cranesong A to D's, Processing: reverb one, digi delay, bit of pitch shift -9+9 either side, compression was renaisance compressor with PT and waves De esser just to keep him in check. Nevermore (Self Titled): Solid State Head Unit (Exact Model Unknown - Owned by Jeff at the Time) Solid State Preamp w/Peavey Power Amp Unknown 4X12 Cab with Celestion Speakers (Exact Model Unkown) This album was composed of two demos recorded sepeartely on the different rigs mentioned above. In Memory EP: Mesa Boogie Mark IV Head Unit Marshall 1960B 4X12 Cab (w/Celestion G12T-75 Speakers) This EP was recorded during the same sessions as the "Politics of Ecstacy" album using the same rig. It was released 3 months prior to "Politics." Politics of Ecstacy: Mesa Boogie Mark IV Head Unit Marshall 1960B 4X12 Cab (w/Celestion G12T-75 Speakers) Dreaming Neon Black: Mesa Boogie Triaxis Preamp Mesa Boogie 2:90 Simul-Class Power Amp Mesa Recto 4X12 Cab (Armor Plated Model w/Celestion Vintage 30 Speakers) On all the albums with Neil Kernon, there were 4 tracks of rhythm recorded, and primarily a Shure SM-57 or Sennheiser 421 was used. "I was pleased with the way the album came out. Personally I think it was my best work with the band, and I really liked the material a lot. As with ASU, POE and IM, we did the album down in West Texas, at Village Productions (the name would of course change to Sonic Ranch a few years later). By then I was living in TX, so for several years I was doing all my work there. The album was a bit rushed though as the budget ended up being reduced from that for POE for some reason. I think we did the entire thing in 17 days, from top to bottom, including the mix, which I think I got 3 days for. Still, I remember we had a lot of fun doing the record. I always enjoyed working with Nevermore - great bunch of lads. Lots of wacky zany fun with the NM chasps. As far as the end result, I don't have any issues with it, because as yet I've never encountered the problems others have mentioned on any of my systems. The album was mastered in HDCD which potentially is a louder mastering process than the normal 16 bit process, so I can only presume that some systems couldn't handle the extra volume generated by the 24 bit mastering process, producing some weird distortion or something. As far as recording techniques, I don't think I did anything particularly out of the ordinary on that album. Also, as we had less time to make the record than on POE I can certainly remember putting in longer days on DNB just so we could get it all done. That said, it's still MY favourite of the four releases that I produced for the guys. Neil K."Source: Neil Kernon on his http://www.ultimatemetal.com From Sneap's: DEAD HEART IN A DEAD WORLD: Custom Built 7 String Guitar loaded with EMG 707 pickups. The guitars were routed into a Ibanez TS-9 Tube Screamer that was used as a signal boost. The settings on the TS-9 were: Drive: 9 O'Clock Tone: 10 O'Clock Level: 12 O'Clock This was fed into the amp that was used on all of the rhythm and leads. The amp used was a Mesa Boogie (2 Channel) Dual Rectifier that was straight from the box. The Mesa Recto was routed into a Marshall 1960B 4X12 Cab with the stock 75 Celestions they have. Settings on the Mesa Recto were: Silicon Diode Setting Bold Setting Red (Modern) Channel Treble: 11.30 Mids: 10 O'Clock Bass: 11.30 Gain: 12:30 Presence: 12.30 Master: 10 O'Clock There were 4 tracks of rhythm, with 2 tracks being panned 100% left and right, and the other set being panned 80% left and right. There was no compression, limiting, etc…only a slight touch of EQ used. Two Shure SM-57's were used for recording, one on the center of the cone about an inch away. This was the approximate's denoted by Andy Sneap previously. ENEMIES OF REALITY: 7 String guitars loaded with EMG 707 pickups Ibanez Tube Screamer TS-9 (Se Similar to Above) Mesa Boogie Triple Rectifier 3 (rhythm) guitar tracks Source: Andy Sneap (and Silverwulf) on his forum at http://www.ultimatemetal.com The Godless Endevour Guitars: 2 tracks each of Mesa Boogie Dual rect and Krank Revolution1. Both with OD820 infront, into a Mesa cabinet. Source: Andy Sneap (and Silverwulf) on his forum at http://www.ultimatemetal.com[/QUOTE]
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