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you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to adam_time.
Please remove excess text as not to re-post tons
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[QUOTE="adam_time:377252"]i think the biggest issue with the first comp was the sound quality. mastering is an important issue, but bands need to get a solid, good quality recording in so that mastering will even make a difference. if some of those tracks off the first comp were mastered, it wouldn't have mattered, some of the recdings would still sound like crap. there needs to be a submission/review/quality control process before anyone puts in money so the "unprofessional" recordings aren't something you just want to skip over. i don't say this as a "get rid of this band because they're terrible", i personally can't stand listening to a bad recording, and though i love almost every band on the first NEIWP comp, i listened to the cd for a week and forgot i even owned one after that. so before we start talking about putting a comp together, EVERYONE GO GET NEW RECORDINGS! if the recordings sound good from the start, mastering won't matter. Though I think a second edition is a good idea. the thought of a live rttp disc on the NEIWP comp is perfect. if it looked and sounded good, it could sell for 5-10 bucks easy... all we need to do is include RTTP bumper stickers in the package. think about it... New England is Wicked Pissed, Volume 2, Return to the Pit Edition. I'd toss in another 50 to put a track on there, maybe 75 if my band (WTF) got 30 copies. hell, i'll do art for free. paint, print, pencil, ink, computer design, whatever. i didn't go to school for nothin.[/QUOTE]
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