Post your Gear[views:1055922][posts:107]_______________________________ [Jan 10,2007 10:01pm - blue ""] Gutiar: ESP Horizon II (Duncan JB/59) Ibanez RG7620 (DiMarzio Evo/Air Norton) Jackson DK2M (To be mine at the end of the month, i'll be swapping the stock Duncan JB/Jazz for Rio Grande Muy Grandes) Peavey 5150 II (Loaded with JJ ECC83S's and 6L6GCs) Furman PL-8 Korg DTR-1000 Rocktron Hush Super C Ibanez TS-7 (Modified to TS808+, used as boost only) Crate BV412SV (Vintage 30s) Marshall 1960B (G12T-75s) Sennheiser e609 (Kills an SM57 any day of the week) Bass: OLP Stingray 5 (To be loaded with a Duncan SMB-5) Ibanez RB690 Hartke HA3500 Unknown Model Trace-Elliot 4x10 and only more to come. ALL HAIL TEH ALMIGHTY GEAR SNOBBERY |
_____________________________________ [Jan 10,2007 10:02pm - RichHorror ""] DrewBlood said:big muff distortion pedal Essential. |
_______________________________________ [Jan 10,2007 10:13pm - hungtableed ""] the pabst and zanni-bar kills anything listed here. |
_______________________________________ [Jan 10,2007 10:17pm - diamond_dave ""] agreed. |
_____________________________________ [Jan 10,2007 10:18pm - RichHorror ""] I rule here. |
______________________________________ [Jan 10,2007 11:51pm - Beorht-Dana ""] DrewBlood said:130 gauge strings tuned to B E A D ernie ball musicman stingray 4 string (1990) big muff distortion pedal hartke 3500A into peavey 2000 watt power amp into ampeg 410 SVT Classic (two when playing live) i can get 28hz out of this set up at 110db. i'll be upgrading to 2 410 HLFs which will give me 26hz at 120db. Not that it will make much of a perceptable difference. To the best of my knowledge, low B on a bass guitar is well above 28Hz. Either way, if you want really tight low end you should consider a cab with 15 or 18 inch speaker(s) in it. |
__________________________________________ [Jan 11,2007 1:51am - davefromthegrave ""] the_reverend said: flashes: 3xSB-800 nikon why do you have three of them? |
______________________________________ [Jan 11,2007 5:07am - Joshtruction ""] [img] here is some of my gear. |
______________________________________ [Jan 11,2007 9:25am - JDDomination ""] Me with the Fender Showmaster Scorpion Strat(discontinued I think) [img] Marshall AVT 150 Half Stack [img] Ibanez Tone Blaster Half Stack [img] Jim Dunlop Crybaby Wah Pedal [img] Fender picks [img] D'Addario strings, 13 gauge [img] Monster cables [img] |
_______________________________________ [Jan 11,2007 1:14pm - animalrampage ""] Saxomophone[img] Through the Moogerfooger [img] |
________________________________ [Jan 11,2007 2:12pm - hybrid ""] [img] |
__________________________________ [Jan 11,2007 5:08pm - archaeon ""] [img] [img] [img] ^shitty [img] |
_______________________________________ [Jan 11,2007 5:38pm - HOoker nomfw ""] 1979 LP custom with a floyd 1999 LP Classic both with 81's in bridge mesa single rec solo. no mods. vht cab. bogner cab. tortex 1.mm XL 10-52's L.A. Gear wristbands |
_____________________________________ [Jan 11,2007 10:43pm - Murph nli ""] hybrid said:[img] what he's not telling you, is that there are gerbils in his ass. |
________________________________________ [Jan 11,2007 11:29pm - Neverpurified ""] Spector Performer 5, tuned B-E-A-D-G Ibanez SRX 705, tuned D-G-C-F-Bb ESP f-204, tuned to whatever I feel like playing in MXR Bass DI+ Boss V-Wah Morley Lil' Alligator Volume Pedal Ampeg B2R rack head (soon to be upgraded to an SVT 3PRO) Ampeg SVT 1X15 cab Ampeg B series 4x10 cab Korg Rack tuner With monster cables connecting everything ....and an Undertaker action figure sitting atop my amp |
________________________________ [Jan 11,2007 11:47pm - Troll ""] [img] [img] [img] [img] [img] [img] [img] [img] |
_______________________________ [Jan 12,2007 1:12am - Troll ""] [img] Gibson SG special faded electric guitar (lefty) Ibanez RG series electric guitar (righty) Alvarez acoustic guitar smashed on the floor (lefty) Sovtek MIG-60 tube head (its been seriously modified hence the 60) Marshall valve-state head (in the spirit Chuck Schuldiner :bow: ) Marshall cab 4x12 (when I'm not losing them) Jim Dunlop nylon picks Monster Cables Thisthreadisgay Zoom effects pedal (for the Sovtek, althought it does have a Hi-gain distortion channel it lacks the bite I need for modern metal but its great for drone and rock) D'Addario strings Crybaby wah pedal for a door stop |
__________________________________ [Jan 12,2007 4:20am - abhorred ""] I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear! i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise. whatever, im not trying to be an asshole, just being a gear snob! haha maybe we can have a intelligent conversation about this shit!?! p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way! blue said: ALL HAIL TEH ALMIGHTY GEAR SNOBBERY |
_______________________________ [Jan 12,2007 4:32am - Troll ""] less is more. |
_______________________________________ [Jan 12,2007 7:31am - watchmaker666 ""] I dont understand why anyone would want to reduce the noise, I love the noise! |
___________________________________ [Jan 12,2007 10:19am - powerkok ""] abhorred said: I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear! Very, very good point. I used to use a Boss NS2. Its decay flat out sucked. The Decimator pro rack is amazing. It suppresses up AND down strokes, and knows the difference. Definitely the best NR out there. I guess its also why its almost 500 bucks. Totally worth it, IMO. |
___________________________________ [Jan 12,2007 11:54am - brian_dc ""] abhorred said: I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear! i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise. whatever, im not trying to be an asshole, just being a gear snob! haha maybe we can have a intelligent conversation about this shit!?! p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way! blue said: ALL HAIL TEH ALMIGHTY GEAR SNOBBERY There are a few issues with the ENGL that make me go the route that I do. The first thing is that the built in Noise Gate is not organic enough, AT ALL. The fact that it has a built in Noise Gate leads me naturally to my next point. The reason why there is a built in noise gate is that without it, the ENGL is obnoxiously noisy and almost unplayable at loud volumes. I got the ISP because it is the only supressor that can actually kill the noise on the ENGL without it sounding like someone switched off the circuit, cutting off chords or notes held for a long interval, etc. The other issue about the ENGL is that in a non-miced environment a lot of the amps positives become it's negative. It is a very smooth, high gain amp. It is one of the things I love about it. However, to get a quality mid-cut out of it, you end up losing a lot of overall tone. So, my solution was to continue running my Dual in tandem with it at a lower volume. It sort of picks off where the ENGL leaves off in big rooms. About the a/b stuff. I have been contemplating cutting out the Mesa part of my rig. And for club shows, I only use the ENGL with the a/b still so that I can keep my tuner out of the ENGL's loop. (By the way, the tuner is never in the ENGL's loop, I keep it in the Mesa loop because it's lower volume and really only there to carry my parts further in the room). I need to have the tuner at my beck and call live because of the fact that I don't play a Floyd and it does go out of tune. I understand that there is a slight effect on my signal because of this. But I also understand that other people listening really don't care about that. By the way, I have played straight into the amp, and it is just a subtle difference. I am thinking about only running the ENGL alone today in practice and trying that out, but still through both cabs of course. |
___________________________________ [Jan 12,2007 11:55am - brian_dc ""] oh, don't read any of that as sensitive defensive. I'm just explaining my logic. |
___________________________________ [Jan 12,2007 11:56am - brian_dc ""] oh. And I keep my gain on about 9 o'clock (3 if you think 0-10) So it's not the adjustable gain that creates the noise. I don't know why they can't defeat that problem. |
__________________________________ [Jan 12,2007 2:14pm - powerkok ""] its beckoned call, beckoned. |
______________________________ [Jan 12,2007 2:14pm - blue ""] abhorred said: I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear! i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise. whatever, im not trying to be an asshole, just being a gear snob! haha maybe we can have a intelligent conversation about this shit!?! p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way! blue said: ALL HAIL TEH ALMIGHTY GEAR SNOBBERY d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. |
__________________________________ [Jan 12,2007 2:18pm - brian_dc ""] powerkok said:its beckoned call, beckoned. yeah, my bad |
__________________________________ [Jan 12,2007 2:34pm - powerkok ""] d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. nows thats the pot calling the kettle black. |
__________________________________ [Jan 12,2007 2:35pm - powerkok ""] and no matter how hard you try, you could never convince me that Monster cables 'suck'. Thats just plain silly. |
____________________________________________________ [Jan 12,2007 3:03pm - menstrual_sweatpants_disco ""] Troll said:[img] [img] [img] [img] [img] [img] [img] [img] [img] |
_______________________________ [Jan 12,2007 3:16pm - Troll ""] The funny thing about that creepy van picture is the unsuspecting child walking by.......Think his picture adorns a milk carton? |
_________________________________________ [Jan 12,2007 3:32pm - DreamingInExile ""] I don't mind monster cables, I prefer Planet Waves though, especially because of the nifty on/off circut breaker switch on my guitar cable |
__________________________________ [Jan 12,2007 4:05pm - abhorred ""] powerkok said: d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. nows thats the pot calling the kettle black. haha ok, ok touche sirs! in my defense, i don't like to drop my les paul down the minor third to play out with abhorred then have to switch strings and move the bridge after every gig to get it back to standard for school, it has no trem system, and im wicked parinoid about taking that anywhere. ive already had two guitars either walk away or break away from home. and i spent all my money on the bogner and can't afford a new guitar haha and if you want to go even further tearing apart my setup, the 1960A's are a really harsh sounding cabinet. the black shadow loaded full back mesa straight cabinet is on my wish list. but aside from the signal degradation, i just never liked a noise gate and never really needed one. i can have my amp with my master volume at about 3 o'clock, my channel volume at about 2, and my gain at 3 and not have any squealing problems. |
_______________________________________ [Jan 13,2007 1:32pm - brian_dc nli ""] pushed my 2 cabs with just the ENGL at practice last night and I definitely am liking that better than the two amp combination. This means that I need to find a use for the Mesa...I don't want to sell because I do love that amp. Normally I don't like Mesa's and I managed to buy one that I like when I was 18...I also think there is a sentimental attachment. I do have a spare Ampeg 4x12...I could have an incredibly excessive practice amp! |
______________________________________ [Jan 13,2007 3:14pm - diamond_dave ""] if you do decide to sell it, i've been thinking about buying one. |
___________________________________ [Jan 13,2007 5:44pm - dyingmuse ""] Jackson Randy Rhoads USA neckthrough, same paint, but I have the floyd rose instead of the through body strings [img] [img] JSX™ Joe Satriani Signature Head Item # 00575450 MSRP: $1,599.99 Peavey and Joe Satriani set out to create an amplifier that would give the widest range of EQ options and gain structures possible. This amp delivers sounds ranging from the Classic 50 to vintage British to the modern Triple XXX and all tones inbetween.The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean). Tone shaping is accomplished through passive controls for Bass, Mid and Treble on the Clean channel, while the Ultra and Crunch channels utilize active low, mid and high controls. The Clean channel is pristine yet warm and is specifically voiced to work well with effects pedals. The Ultra and Crunch channels have gain controls and fat switches to further assist in taming this thunderous tube-powered beast while achieving killer sound.Global resonance and presence knobs increase control of high-end tones, while a noise gate on the Crunch and Ultra channels cuts down on the excess noise generated by running the gain and EQ controls on high settings. Since the gate is fully adjustable, you can really clamp down, leave it slightly open or just turn it off. Features 120 watts into 16, 8, or 4 ohms (switchable) Four EL34s and four 12AX7s Power amp switchable to use EL34s or 6L6GSs Three footswitchable channels Clean channel: volume, bass, mid, treble Crunch channel: gain and volume, bass, mid, treble EQ and FAT switch Ultra channel: gain and volume, bass, mid, treble EQ and FAT switch Noise gate control for both distortion channels Master volume Footswitchable effects loop with send and return controls Resonance and Presence controls Line out with level control Footswitch included |
________________________________ [Jan 13,2007 11:09pm - Troll ""] That amp owns (as you crazy kids would say) |
_______________________________________ [Jan 14,2007 12:17am - Joshtruction ""] Monday you can ad a mesa pre amp to my gear. |
___________________________________ [Jan 14,2007 6:56am - DEATH2ALL ""] 99-Tama Starclassic Custom maple- Marine Blue Fade-10ply. 2-20"X20" kicks 10"X10" tom 12"X11" tom 13"X12" tom 14"X13" tom 16"X16" floor tom Tama Starclassic Maple-Sunburst 14"X6" snare-10ply 20"-Zildjian A Ping ride 14"-Zildjian A custom hats 17"-Sabian AA Xplosion crash 2-14"-Sabian AA Xplosion crash's 6"-Zildjian Zilbell. 6"-Sabian B8 splash 2-12"-Wuhan china's 14"-Sabian HHX Evolution mini china All drums & cymbals mounted on Gibralter Rack. Including custom legless snare stand. Rack holds everything but, Kicks & flr tom. 2-Axis-Longboard pedals w/sonic hammers & EKIT triggers. Alesis DM5- trigger module. Alesis Studio12 line mixer. Furman power conditioner. SKB 6 space rack. Evans heads on toms & kicks. Remo K-Fallam kevlar head on Snare. |
____________________________________ [Apr 26,2007 11:30pm - dj death ""] - Gibson LP special, w/p90's (1991) - Gibson LP studio, (2001) - 1980 peavey 4x12 - Crate 4x12 (both straight cabs) - Crate gtx-130c amp (soon) Marshall 70's Plexi through a 5150 Cab. |
____________________________________ [Apr 26,2007 11:32pm - dj death ""] death2all, i like your drum set up. That would sound great in a wooden studio room....! |
___________________________________ [Apr 26,2007 11:45pm - powerkok ""] [img] Updated pic of my rig. and my new SG, which I love. [img] |
_______________________________________ [Apr 26,2007 11:55pm - hungtableed ""] Troll said:[img] [img] [img] [img] [img] [img] [img] [img] aaaaahahahahahahaha *best post in the entire thread! |
___________________________________ [Apr 27,2007 12:00am - kylenli ""] Vtm 60 all tube head peavey marshall jcm-900 gibson les paul special a bunch of cabs |
_________________________________________ [Apr 27,2007 12:11am - brad weymouth ""] for Cwaf: Mann P_bass copy with Seymore Doogan pick-up Monster Cables Pro-Co Rat Morley Power Fuzz Wah DOD delay, analog, the old light blue one with 3 knobs 1mm nylon pick GHS Boomer 105's for Kevorks: 1963 reissue Epiphone Firebird Mach VII Monster Cable Crate 220 watt solid state head Carvin 4X12 1mm nylon picks other shit i have: Fender acoustic Fender Bronco 15 watt amp Fender Squier Strat Epiphone mid 90's P-bass style body with 62 Fender reissue neck, named Frankenzappa assorted broken pedals and mics |
_________________________________________ [Apr 27,2007 8:54am - metal_church101 ""] My rig at the moment: [img] Primary: Dean Michael Schenker V Standard (except a Dimarzio X2N pickup put in the bridge.) [img] Backup: Ibanez RG2EX1 (except a Dimarzio X2N pickup put in the bridge.) Peavey 5150 straight cab modified to have a metal grille on it and it's encased in a hardshell case. Rack Gear: [img] FURMAN PL-PLUS II Rack-Mount Power Conditioner [img] Digitech 2101 pre-amp BBE 482 Sonic Maximizer [img] Marshall Valvestate 8008 80/80 power amp (except I own the one with the black faceplate) [img] Digitech Control One for a foot controller for pre-amp. Speaker cable: moster Instrument cables: Generic (my monster cables got stolen.) |
______________________________________ [Apr 27,2007 12:58pm - LongDeadGod ""] bass: [img] except mine is black amp: [img] thats that |
____________________________________ [Apr 27,2007 4:51pm - immortal13 ""] Bass: ESP C-304 Amp: Ampeg SVT-3 Pro Ampeg BSE410HLF 4x10 cab Pedals: Boss Bass Overdrive (never use it) Ibanez Bass Synthesizer (rarely use it) Guitar: ESP H-200 Guitar Amp: Shitty little Fender 1x12 combo, but it sounds pretty decent |
______________________________________ [Apr 27,2007 5:09pm - agrippa_nli ""] [img] [img] [img] |
______________________________________ [Apr 27,2007 5:10pm - agrippa_nli ""] [img] |